-Lolita
-The Shining
-Clockwork Orange
-Flying Padre: An RKO-Pathe Screenliner (Documentary short)
1999Eyes Wide Shut
1980The Shining
1975Barry Lyndon
1971Clockwork Orange
1962Lolita
1960Spartacus
1957Ärans väg
1955Killer's Kiss
1953The Seafarers (Documentary short)
1953Fear and Desire
1951Day of the Fight
Quentin Tarantino
- Pulp Fiction
-Kill Bill
-Inglorious Bastards
-Django unchained
-resovoir dogs
-jacki brown
David Lynch
-Mulholland drive
-eraserhead
-lost highway
-twin peaks
-wild at heart
-blue velvet
"Lynchian", a style characterized by its dream imagery and meticulous sound design. The surreal, and in many cases, violent, elements contained within his films have been known to "disturb, offend or mystify" audiences.[2]
| Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery – celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from – it’s where you take them to.” | ” | |
—Jim Jarmusch, The Golden Rules of Filming
| ||
David Fincher
-fight club
-lords of dogtown
-seven
Lars Von Trier
-melancholia
-breaking the waves
-dancer in the dark
DArio Argento(Witch)
-Deep Red
-Phenomena
-Opera
-Suspiria
Michelangelo Antonioni
Ingmar Bergman
Park Chan-Wook, mario bava,
ORD:
idiosyncrasy
